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Something popped up in another thread that lead me to believe that some users are using the site sans RTK1. Don't know if that really is the case but I reckon it must be somewhat harder doing it that way.
I imagine that it wouldn't be too difficult once you get into a groove. But I agree that you'd be missing out on different connections he points out along the way. Personally, I use the book and not the site. Nothing against the site, I just already had a system going and found it a fun challenge making up all of the stories myself. The story would probably be different if I had found this site first. I still might do it sometime to see how long it takes as a review.
Since I own and used the book my first instinct is to think it unreasonable to attempt RTK without it.
But I thought about it some more, and now that the RvTK site exists, maybe the book isn't as necessary as it once was:
1. General advice on how to use the methodology.
The RvTK site offers forums with personalized advice and support.
2. One story, outline, or primitive list for each of 2,042 kanji.
The RvTK site offers dozens of stories, in various languages, for each kanji.
3. Lessons, broken down (mostly) by primitives.
The RvTK site offers the same lesson order, but without explicit primitive descriptions or lesson instructions.
I bet many people are working without a copy of the book, and succeeding.
Learning the kanji will take hundreds of hours of hard work. If spending $26 at Amazon for a copy of RTK1 will make the job even a tiny fraction easier, the book could save hours, maybe days, of review time. $26 for hours, maybe days, of a person's lifetime? It's a no-brainer. Buy the book.
Professor Heisig spent a lot of time breaking the kanji down and sequencing them in an order that makes learning efficient. He's added so much to my studies. If I hadn't bought the book out of necessity, I certainly would have bought it out of a sense of 義理.
Last edited by ziggr (2007 November 12, 11:34 pm)
I own 1 & 2, saw 3 at Junkudo a few years ago, never seen it since. Wish I'd bought it then!
I can't imagine not using the book to use this site. I know people will follow and say they have and it's not a problem, but Heisig wrote it as a course, and he does an excellent job of explaining the method gradually. Furthermore, I needed his encouragement, and the little Latin thing at the end.
What's more, I've noticed a number of stories by some people which use incorrect primitive combinations, or making up their own primitives. Again, some may say no big deal, but I think following the book closely saves you from running into trouble you didn't forsee.
I would also hate to think of this site cannibalizing sales of the book.
Well, if people would know better what they are missing out on, when not using the book, I don't think it'd cannibalize the book sales, but rather improving sales.
I like to use a combination of the book together with this site. If I wouldn't have found this website I'd have given up already as soon as the 3 part of the book started. For some of those kanji I had no idea how to create a decent story with the given primitives without just repeating those primitives in my head. Creating stories is getting better, but I still have a long way to go...
Some things that are another plus for the book are:
1. It's a book written on paper, so you can take it with you - on the train, the bus, etc. - and have everything with you that you need to create a story, without needing the internet.
2. It gives the stroke order of the primitives, with you'd have to otherwise research for yourself. If the Kanji are learned only with the RvTK-site one learns one meaning for the kanji but no stroke oder ... so in fact learns with about the same amount of effort less than with the book.
3. The Appendixes in the book are very, very, very helpful when creating stories etc.
And I think billyclyde is probably right. I too noticed that some stories are using incorrect primitives, which would indicate that those people are not using the book, otherwise they wouldn't make such gross mistakes.
Thats the advantage and disadvantage of the net. Free stuff, but quite often it should be taken with a grain of salt... ![]()
Edit: Oh, and yes, I do own a copy of RTK1. I'm also frequently prowling (right expression?) round the shelf with the RTK2 in my local bookstore...
Last edited by Biene (2007 November 13, 12:33 am)
I was just responding to the original comment that it must be harder to use this site only and not the book. "Don't know if that really is the case but I reckon it must be somewhat harder doing it that way."
If it's ethical or not is another topic altogether. I would like to have the books. I'm a booky kind of person. That said, kanji have no copyrights and this site is also free. The system itself, once someone understands the how-to of it, is relatively simple, albeit arduous. I was doing it in a casual way on my own. It's just a way to help us remember afterall. And I wouldn't fault anyone for not buying the book. I recommend it though. And that latin is like gold at the end of the rainbow! I feel indebted to the man for his insight and perserverance and his books. And to all of you while I'm at it! ![]()
Aikiboy wrote:
I wouldn't fault anyone for not buying the book. I recommend it though...I feel indebted to the man for his insight and perserverance and his books. And to all of you while I'm at it!
I totally agree with this. Initially I was thinking it would be scandalous not to buy the book. But I wonder how much of the cover price Heisig actually receives?
To anyone without the book, I reckon you are doing yourself a much bigger favour than Heisig if you buy a copy.
Another great thing about having the book is that you can show it off and entice your friends to join the club!
Ahh, I didn't mean to bitch ...
I'm just annoyed that people seem not even to realize that this site is meant as a support to a real existing book. It's ones personal decision to decide to not buy the book, but being absolutely oblivious about it's existence and it's benefits is a bit... well... annoying. Is difficult to see people make it even more difficult for them self than is really necessary ... and the method itself is simple and difficult enough.
And to think that they are (un)willingly missing out on half of the things the book can teach you... Take the "sheep" primitive for example, it's stroke order changes when it's shortened and standing above other primitives. It's explained in the book but not in the stories on this side. I'm frequently unsure how the stroke order goes, but then I can just use the book and flip a few pages back and can try to adjust my stories accordingly.
Edit: I'm actually hiding my copy from others. They'd just think I'm even more weired for trying to learn the kanji. But when I'm finished...hehe...when I'm finished...
Last edited by Biene (2007 November 13, 1:14 am)

