Internet Goes On Strike

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Reply #51 - 2012 January 22, 1:30 pm
JimmySeal Member
From: Kyoto Registered: 2006-03-28 Posts: 2279

I will grant that there are serious issues with trying to enforce copyright in the digital age and agree with the notion that we will need to rethink our approach to copyright in the near future.  But to act like copyright is an affront to your personal freedom just seems preposterous to me.

Reply #52 - 2012 January 22, 1:49 pm
jettyke Member
From: 九州 Registered: 2008-04-07 Posts: 1194

JimmySeal wrote:

How would you propose that writers and musicians receive any benefit from their written works and recordings if they can only sell one copy before it's reproduced ad infinitum without any benefit to the person who produced it?

Just play the same music on live concerts.

The music recorded could serve as a promotional tool.

That said, I still think that there is a big problem and that we need to find a solution that fits both sides. So we need some new good valid ideas of course smile

Reply #53 - 2012 January 22, 3:10 pm
JimmySeal Member
From: Kyoto Registered: 2006-03-28 Posts: 2279

I agree that revenues from live performances are a mitigating factor and I reckon that is the majority of most musicians' income these days.  It just doesn't seem right to me that musicians are having less and less of a viable way to make money off their recorded music, but maybe I'm too much of a dreamer...

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Reply #54 - 2012 January 22, 4:16 pm
IceCream Closed Account
Registered: 2009-05-08 Posts: 3124

that's worked for music so far, but the same thing can't happen with books, for example. And i don't think it's an ideal situation either. Why shouldn't a band get paid for the recording? It costs a lot of money and time to record songs to a high quality, and there's a lot of people who prefer to listen to music at home.

i think the idea of supply and demand is being arguing wrongly by nadiatims. Because while the paper and ink, cd, or digital recording might be in high supply, the creative act that makes an artistic product only occurs once and is therefore very rare.

There's only one Haruki Murakami, and if i want to read his book, i should be paying him for that privelege, no matter who distributes it. If you refuse to pay those people you enjoy reading or listening to or generally being entertained by, how can you expect them to continue making stuff? They won't have the time or money to do so... which obviously is going to decrease the quality of what's on offer. I doubt your average megavideo uploader will be able to provide you with the same quality stuff for you to consume.

You say that the state enforces the copyright for them but they don't do anything for the taxpayer. How many taxpayers do you know that don't enjoy some form of art or entertainment?? How good would our lives be without it....??

Last edited by IceCream (2012 January 22, 4:19 pm)

Reply #55 - 2012 January 22, 4:50 pm
JimmySeal Member
From: Kyoto Registered: 2006-03-28 Posts: 2279

Maddox weighs in:
http://maddox.xmission.com/

Reply #56 - 2012 January 22, 5:06 pm
HonyakuJoshua Member
From: The Unique City of Liverpool Registered: 2011-06-03 Posts: 617 Website

I have to agree with Maddox's point that protests should really be meaningful.

Inny Jan Member
From: Cichy Kącik Registered: 2010-03-09 Posts: 720

http://rt.com/usa/news/anonymous-doj-un … -sopa-235/

Hacktivists with the collective Anonymous are waging an attack on the website for the White House after successfully breaking the sites for the FBI, Department of Justice, Universal Music Group, RIAA and Motion Picture Association of America.

We are at war...

IceCream Closed Account
Registered: 2009-05-08 Posts: 3124

that's so unhelpful. Why can't people propose better solutions instead....?!?

Mennon Member
From: Okazaki Registered: 2008-12-11 Posts: 38

If it wasn't for piracy there would be no itunes. If I liked a song that I happened to hear on the radio, I would have to go to the record shop and spend $30 to buy the song and ten others I hoped would be okay too. That's if they had it in stock. Then after I listened to it a few times it might get scratched or lost. Then I would have to buy it again.
Piracy forced music distribution to change. You can still get free music, but if you like it you can support the artist quickly and easily and buy a song. Jay Lo can still buy her Bentley, everyone is happy. Look what Radiohead did, and even more recently Louie C. K. He made millions making his stuff directly accessible to his fans.
Most people are quite happy to pay if they don't feel like they are getting ripped off. Just make it easier and quicker than bitorrent! That's all they have to do!

Reply #60 - 2012 January 23, 1:19 am
IceCream Closed Account
Registered: 2009-05-08 Posts: 3124

^^well, i definately agree. i'd much rather sign a petition asking the companies to provide better online services at a reasonable cost than one that just asks to stop a piece of legislation without providing any alternative, because they clearly haven't got a clue how to go about things.

But people hacking and attacking sites is just plain annoying. That's going to do nothing except strengthen those in power's impression that piracy is strongly linked to criminality, and their resolve to attack freedom on the internet.

Reply #61 - 2012 January 23, 2:24 am
kainzero Member
From: Los Angeles Registered: 2009-08-31 Posts: 945

not only is it stupid but they're disrupting pointless services.

http://xkcd.com/932/

Reply #62 - 2012 January 23, 2:32 am
IceCream Closed Account
Registered: 2009-05-08 Posts: 3124

http://www.bbc.co.uk/news/technology-16628143

BBC wrote:

Ahead of the day's action, Mr Dodd said: "It's a dangerous and troubling development when the platforms that serve as gateways to information intentionally skew the facts to incite their users in order to further their corporate interests."

Meanwhile, Creative America - a group which represents many big names in the movie business including Disney and Warner Bros - has launched an advertising campaign in the US.

A banner advertisement was shown in New York's Times Square offering advice on "what to do during an internet blackout". It suggested reading books, listening to music or watching a movie.

lololololollolol

Reply #63 - 2012 January 23, 8:58 am
ファブリス Administrator
From: Belgium Registered: 2006-06-14 Posts: 4021 Website

JimmySeal wrote:

Maddox weighs in:
http://maddox.xmission.com/

So much win.

To go even further, as Jed McKenna would put it:

Always Outward. Never Inward.

ファブリス Administrator
From: Belgium Registered: 2006-06-14 Posts: 4021 Website

This article explained how the incentives worked for users to upload pirated content:

Make money online by selling pirated content? These sites do.
http://www.zdnet.com/blog/seo/make-mone … -container

TheSlyPig Member
From: WA USA Registered: 2011-09-28 Posts: 39

Another interesting read on the subject. What do you guys think? http://www.extremetech.com/computing/11 … y-i-pirate

Reply #66 - 2012 January 23, 1:57 pm
ファブリス Administrator
From: Belgium Registered: 2006-06-14 Posts: 4021 Website

TheSlyPig wrote:

Another interesting read on the subject. What do you guys think?

I think that article is poopoo.


Why I _______.

I am free to _______ because I'm free to do whatever I want dude!


Beautiful.

Note how the whole post is centered around me, and my needs?

Like countless thousands of similar arguments, it is all based on the assumption that "I", the individual, is separate from everything else, that somehow "I" can function completely independently of everything else.

It's a lie of course. There's no such thing. Everything in the world is dependent on everything else. Of course if you limit your vision to your immediate neighborhood and nearest convenience store, which is what we tend to do all the time, the illusion is so good it seems to be true.

For starters, his obsession with "owning" something. He's convinced he has a God-given right to "own" something.

Besides the fact that you never truly own anything (the idea of property is a concept) you don't even own what you see as your own life. What you think as your "own" body is life's creation. You can groom it, dress it up, have fun with it, but soon enough life will take it away. And even if you want to cheat, there's no telling what will happen. The "odd" section of the news is filled everyday with stories of people who survived despite the craziest odds, and conversely, people who suddenly collapse without any foreboding symptoms.

So yeah, the entitlement thing that qwertyytrewq wrote. It's all based on false assumptions.

Reply #67 - 2012 January 23, 3:31 pm
kainzero Member
From: Los Angeles Registered: 2009-08-31 Posts: 945

i'm down with entitlement if you don't have control over your finances.

if i wrote a book and some teenagers were like "yeah, i read your book but i couldn't afford it so i had to download a copy" that's fine.

but if you're an adult you gotta man up and support your hobbies or they'll just disappear.

there's also some exceptions for me...
foreign material - there's no way i'm paying $25-$30 for every japanese CD single, (import fees, etc.) and they won't let me use my credit card to purchase on japanese itunes. (i do purchase some CDs, not all of them.) i also download a ton of TV shows because i literally have no other way to watch it.
tv shows - even american TV shows i'll download. i see no difference between this and DVRing a show. it's also much more convenient.

Reply #68 - 2012 January 23, 8:19 pm
vix86 Member
From: Tokyo Registered: 2010-01-19 Posts: 1469

kainzero wrote:

but if you're an adult you gotta man up and support your hobbies or they'll just disappear.

Copyright infringement is a "tragedy of the commons" case. Most people that pirate/download from the internet be it music/movies/anime/manga/books/etc. do it because its free, and I think many people would admit this after you press them hard enough. But most people also comfort themselves by saying "someone else will buy it, what can one person downloading really do to hurt sales." But when you get tons of people saying this, you end up with the above tragedy.

(If this point has been brought up then forgive me. I haven't actually read the thread) Its worth noting though that counting every person that downloads something from the internet for free vs buying DOES NOT EQUAL potential sales loss. This is a point pushed by the content providers ("Every download = Lost sale"). In reality, there is no guarantee that someone that downloaded would have bought the product in the first place.

Instead of focusing on how much people are downloading and what they download. I think there should be more focus on the stuff that people actually buy and why they buy it.

Tzadeck Member
From: Kinki Registered: 2009-02-21 Posts: 2484

Personally I'm fine with downloading any music from an American major label.  I want to see the major record labels go out of business.  They aren't very good to their artists, they usually end up having way more ownership of songs than the artists who wrote them (John Fogerty was sued for sounding too much like himself after he released albums under a different label), and they'll only give substantial advertising money to attractive singers who would be popular to people age 12-18.

Most importantly, they're not actually necessary anymore.  You can record, distribute, and advertise your music yourself thanks to the internet and cheaper technology.  A lot of people have gotten famous just by the internet even as things are now.  If the record companies went out of business, other services would rise up which would help musicians get their music out, only they would be new and therefore would be modeled in ways that used technology instead of worked against it.

Last edited by Tzadeck (2012 January 23, 10:12 pm)

kitakitsune Member
From: Tokyo Registered: 2008-10-19 Posts: 1006

I doubt any new companies are going to sprout out of the ashes of the major labels. Mass pirating means that no future company can hope to be profitable in the distribution business. The only real future is in concert and event promotions.

vix86 Member
From: Tokyo Registered: 2010-01-19 Posts: 1469

Tzadeck wrote:

A lot of people have gotten famous just by the internet even as things are now.

And then what do those people usually go on to do......thats right, sign up with the record labels.

Are the labels dirty, evil, slimy bastards? Yes. But people keep signing up with them because they look at the people that have come before them, and see people that are rich and do the only thing they think can in order to get just like that: Sign with the labels. The reality is much worse for most people though that sign.

Might the labels collapse? Maybe one day after I'm dead. Most of these labels are owned or are a subsidiary of some sort of larger corporations that are a content provider of some sort. Companies like Time Warner and Sony. These groups also have ties in the movie industry. So you won't be seeing labels die unless it becomes immensely unprofitable for them to keep running the business.

In the mean time they have realized they can't really sue consumers to make money, so now they are looking to try and strangle the beast. They are using their lawyers and lobbying groups to affect laws in the US so they can simply shut down distribution points. This isn't going to stop (in the US and in other countries) until they have the power to snap their fingers and have their dog (the government) jump up and wanting to know what it can run and do.

kainzero Member
From: Los Angeles Registered: 2009-08-31 Posts: 945

vix86 wrote:

Copyright infringement is a "tragedy of the commons" case. Most people that pirate/download from the internet be it music/movies/anime/manga/books/etc. do it because its free, and I think many people would admit this after you press them hard enough. But most people also comfort themselves by saying "someone else will buy it, what can one person downloading really do to hurt sales." But when you get tons of people saying this, you end up with the above tragedy.

is there any proof of this?
i keep hearing things like "most people are freeloaders." but who are these freeloaders? where do they come from? do they come from brazil where 45% tax is charged on videogames?

are most people REALLY freeloaders? i want stats and studies.

speaking of anime, i downloaded it because i could get HD episodes fansubbed and within hours of it being released in japan instead of waiting for a long drawn out licensing process to buy a dvd in 480i that contains 4 episodes, costs $20, and comes out a full year after it's released in japan and after people are done talking about it and you're already too late. manga is along the same lines. that was my rationale.

what's funny is that most fansubbers don't do it to screw anyone over, and i don't think they even do it for "the anime" but they do it to gain e-fame. that's my experience working with them.

Tzadeck Member
From: Kinki Registered: 2009-02-21 Posts: 2484

vix86 wrote:

Tzadeck wrote:

A lot of people have gotten famous just by the internet even as things are now.

And then what do those people usually go on to do......thats right, sign up with the record labels.

Uhh... who?  None of the people I was thinking of signed up to major labels.  Immortal Technique, for example, was under Viper Records and Babygrand Records, which are both very tiny record companies; despite that he's sold 200,000 records and most of the money goes straight to him.  Julia Nunes is on Conan O'Brian this week and her record company consists of her mother and father...

kitakitsune Member
From: Tokyo Registered: 2008-10-19 Posts: 1006

Your justifications for stealing are very childish.

Tzadeck Member
From: Kinki Registered: 2009-02-21 Posts: 2484

kitakitsune wrote:

I doubt any new companies are going to sprout out of the ashes of the major labels. Mass pirating means that no future company can hope to be profitable in the distribution business. The only real future is in concert and event promotions.

There are a bunch of different services that record companies supply that would be useful to new artists even in the age of the internet (you can do most of them yourself these days, but they do require some know-how so there is a market for those who don't have it).  You can still make money off of music despite pirating, you just need to make new business models that reflect the way the landscape has changed thanks to modern technology.  The people I've mentioned above, Immortal Technique and Julia Nunes, have certainly made money despite the fact that anyone could download their music for free at any time (Immortal Technique even encourages it in some of his songs), as well as the fact that they haven't had large advertising funds from big music companies.

Last edited by Tzadeck (2012 January 23, 11:32 pm)