Stories... I Thought

Index » RtK Volume 1

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Reply #1 - 2008 June 03, 3:11 pm
kazuki Member
From: New Jersey Registered: 2008-05-23 Posts: 29

Just an aside, I'm noticing a whole lot of "stories" on this site are more "sayings" than "stories".  Often, when I approach each new kanji, I am very careful to create a story with subjects, a plot (no matter how miniscule), and a timeline to position the primitives.

Do those of you using "sayings" rather than "stories" find that you are still having trouble remembering the keywords or the positioning?  It's easy to cop out and just come up with a "Well WOMEN have CROTCHES for GUYS to utilize", sometimes that seems to work, but I think that it is stated clearly to come up with more of a story.  I'm assuming that mostly everyone uses a mix of these "sayings" that they find will be almost impossible to forget, and "stories" for everything else.

Anyway, it's okay for your stories to start to fade when you are just writing the kanji from memory, right?  smile

Reply #2 - 2008 June 03, 3:17 pm
playadom Member
Registered: 2007-06-29 Posts: 468

I use sayings for less than 10% of my kanji. Some of them really stick, but if I use them for a whole set of kanji, my review rates plummet like mad.

I suppose it is good for the stories to fade. The stories could be considered a crutch, but only until you gain the kanji muscle to walk on your own.

Reply #3 - 2008 June 03, 3:20 pm
alyks Member
From: Arizona Registered: 2008-05-31 Posts: 914 Website

Oh yeah. Heisig says it in the introduction how you need to use your "Imaginative memory". The stories are supposed to be mental images you see in your minds eye.
I'm impressed you're able to go into so much detail with your stories. I myself, and I'd guess most other people, just imagine a few images of things/people doing something in a sequence.

Sayings can work, but I don't find them as effective for me.

Yeah, they're supposed to fade, it's a good sign you're starting to learn them.

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Reply #4 - 2008 June 03, 3:30 pm
kazuki Member
From: New Jersey Registered: 2008-05-23 Posts: 29

Awesome!  It just gets a little scary because you wonder why you know it so well without the story and, of course you wonder if you'll remember it so well next time... without remembering this time, or reviewing the story this time.  754 and chugging along without a hitch, almost through the hell chapter!

The stories themselves aren't really as detailed to be called a story.  However a sequence of events must occur in order for it to be called as a story, I think.

Last edited by kazuki (2008 June 03, 3:31 pm)

Reply #5 - 2008 June 03, 3:40 pm
pm215 Member
From: UK Registered: 2008-01-26 Posts: 1354

I find that 'sayings', or at least verbal capsule summaries of a story plot, work well enough for me; but then for me to remember something is to say it to myself -- my brain doesn't really seem to do mental imagery at all. So for me the key thing about Heisig is the systematic breakdown of the kanji and the advice to rely not on "what does the kanji look like?" but on some other kind of memory -- one which works well for you. Exactly what your strongest kind of recall is depends on the person. You should be able to figure out from how well you do on the reviews what kind of story works best for you.

Reply #6 - 2008 June 03, 3:57 pm
QuackingShoe Member
From: USA Registered: 2008-04-19 Posts: 721

It's a little difficult to describe what goes on in my head because I'm not altogether sure myself. However, at least on the surface, I'm all about the sayings. It's not something I necessarily advocate, but I'm a language oriented person in the first place and so far (maybe a month and a half in) it's been working perfectly, my retention rates are between 85-100% on any given day. There are images and other vague associations bouncing around in my head at the same time, but it's not as strict as some other people seem to describe. While I find Spiderman a useful replacement for thread, it's not because I have an easy time picturing Spiderman doing anything; he's just easy to make amusing little 'sayings' with. As for the positioning of the primitives, my sayings never involve them, my visual memory takes care of that rather easily as long as I can remember the primitives in the first place.
But, again, I know there are images and things going through my head as well, I'm just not that actively aware of them and don't plan them.

I do use full-blown stories (plot and images and etc) on very rare occasions, and they do work VERY well, but it's more effort than I'm willing to put into it when I know I don't have to. I'm also not sure that, due to the way my mind works, I could remember that many of them anyway.

So, in answer, no. Those of us using sayings aren't having trouble. If we were, we'd be doing something else, wouldn't we?

Reply #7 - 2008 June 03, 3:58 pm
Dragg Member
From: Sacramento, California Registered: 2007-09-21 Posts: 369

I don't think plot details or a sense of character development are nearly as important as being able to mentally visualize a scene to the point where you almost feel that you have been there.  In most cases a "scene", rather than a full-fledged story is all you need.  If you can lead yourself to feel emotional involvement with your scene and attach it to the images in your mind, then you are going to achieve better retention.  Most sayings can become good scenes if you simply throw in mental imagery and emotional stimulus.  Each kanji is a little different, and in some cases when there are many primitives, an actual story may be the best way to go.  But often, anything more than a scene is unnecessary and could even be counterproductive due to strain on memory.  For example, if you saw a  movie a few years back, you are going to be way more likely to remember the exciting and shocking parts today and how they made you feel rather than the exact plot chronology or details like the character's full name.

Btw, for the people who are having trouble with mental visualizations:  I had a big problem with this when I started too, but it does get better with practice.  What helped me was using my own memories and linking them to my scene.  For example, if I had a scene involving the beach, I would think of the last time I went to the beach myself and incorporate the most vivid elements from my memory.

Last edited by Dragg (2008 June 03, 4:16 pm)

Reply #8 - 2008 June 03, 4:13 pm
kazuki Member
From: New Jersey Registered: 2008-05-23 Posts: 29

Agreed.  I admit to using sayings as well, and alot of times they do work.  I have just noticed that Heisig names his three parts of the book Stories, Plots, and Elements and thought it was crucial to run with that idea of creating actual stories.  What you are all saying about letting the mind come up with it's own "scene" or "saying" (which mentally creates some sort of scene, usually for me) makes very much sense.  Due to failing to go through all the Kanji (got to 500 or so) about a year ago (with Heisig) and starting over, I'm constantly wondering whether or not I'm doing this "The Right Way" and not just going with the flow sometimes.  Thanks for your replies.

Reply #9 - 2008 June 03, 4:30 pm
playadom Member
Registered: 2007-06-29 Posts: 468

I find that the funny grammar hooks, while effective, end up putting too much English in my brain. I actually use a lot of 'sayings' that are puns and the like based on the character's Japanese readings(I do have quite a background). Like for 方, I use a pimp because of the reading.

Last edited by playadom (2008 June 04, 9:30 am)

Reply #10 - 2008 June 04, 3:49 am
BigAmish Member
From: Georgia-USA Registered: 2008-03-02 Posts: 27

playadom wrote:

I find that the funny grammar hooks, while effective, end up putting too much English in my brain.

Ditto.  It is rare for many of my stories to go longer than about 2 short sentences because the primitives I need tend to get lost in the verbage-clutter. 

However, for kanji where I can't easily form a *colorful story/saying* from the first mental images when I see the keyword (an absolute *must* for me!), I have gotten more involved and sometimes include explanatory notes.  This is rare but thankfully I can at times use the sheer size and uniqueness of these few big stories as a memory trigger for what kanji is associated with it.  Not the best scenario I know, but it sometimes helps.

Last edited by BigAmish (2008 June 04, 3:50 am)

Reply #11 - 2008 June 04, 4:35 am
Savara Member
From: London Registered: 2007-09-08 Posts: 104 Website

"Oh that was the kanji with that huge story"? wink I get that sometimes. It's funny.

I never thought in images *at all* before starting RTK... Now when someone says something that's just a bit weird (not a usual way of saying something)... I immediately see it in images. It's very funny, at times. Annoying at other times (try to stop yourself from laughing in church because you created such a crazy image of what someone just said.).

I mostly just use saying and word clues. My memories are mostly word only! So it would be hard to really make 'movies' for each story. I do try to imagine it for the kanji that just don't stick otherwise, and it does work very well.

Maybe the whole point of Heisig is more to teach you how to make those image-stories for when you need them (as opposed to 'always'), and when you don't need them... well you don't need them wink

Reply #12 - 2008 June 04, 7:18 am
johnzep Member
From: moriya, ibaraki Registered: 2006-05-14 Posts: 373

some heisig stories are just sayings too.  For example:

"In the age of advertising, most words we read are out to sell
some product or point of view."

I think the amount of visual imagery used will vary from person to person.

Reply #13 - 2008 June 04, 10:33 am
mentat_kgs Member
From: Brasil Registered: 2008-04-18 Posts: 1671 Website

But maybe our beloved Heisig got lazy on this one. Ehe.
Visual imagery seems to work much bettar than a logical saying.
A logical image works better than a ilogical one, tought.

Reply #14 - 2008 June 04, 8:27 pm
Danieru Member
From: Saskatoon/Fukui-ken Registered: 2007-10-26 Posts: 21

Isn't it important to utilize a variety of techniques to remember different kanji?  I don't think it's fair to say that one uses just a singular, strict method.

Who hasn't experienced this:  you meet a kanji, and somehow, via your own creation or a story/mnemonic someone else created - it's there, permanently.  You will never forget it.

Then there's problem kanji.  When the same one fails time and time again, you've got to re-evaluate your approach, not just 'try harder' to remember it.  I find that my bag of tricks involves mental images and mnemonics, but also kanji stories that relate several kanji to each other, word plays, sayings, and whatever else I can use to boost my recollection.

This is delving deeper into 'types of learners.'  I believe there are 7 different 'types' of learners usually classified, and we are all combinations of them.  I say, know thyself and experiment with what works for you - definitely be open to what other people suggest, especially when setting out on RTK, but once you're half way in, don't even bother to change unless you're just not able to remember em!

Reply #15 - 2008 June 04, 10:37 pm
Ryuujin27 Member
Registered: 2006-12-14 Posts: 824

Sometimes I like nice, short and concise stories because it makes reviewing much quicker.

However, you need to be absolutely sure the mental image of the story or phrase is firmly placed, otherwise short stories and sayings will slip from your memory quite quickly.

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