@Seamoby: Glad you liked it!!
@vileru: i think you're getting too hung up on "truth" here, wheras my criticism was about the shallowness of such narratives to begin with.
The issue isn't whether or not the statement "Japan is convenient" is true or false (i don't even know what saying that is true or false would really
mean). The issue is that whichever way you answer that question, it's shallow, and it affects the lens through which you then go on to view Japan. "Common knowledge" states that Japan is in fact convenient. So, then i go to Japan, and i pick out all these things about Japan that seem convenient, and i confirm the proposition "Japan is convenient". But maybe, i just don't care a great deal about convenience to start with, and it wouldn't have been something that had ever struck me about Japan if i had not been aware that it was common knowledge.
Indeed, there's plenty of things about Japan that i found hugely inconvenient. There's plenty of things about Britain that are incredibly convenient, but i don't go around thinking about Britain as a "convenient country", because it's not a proposition that is "common knowledge" with regard to Britain. So, common knowledge is that Japan is convenient, polite, safe, but slightly racist, and that's what the documentary confirms. Yawn.
In short, i prefer to make my own narratives rather than take other peoples, if possible. Maybe they end up the same, and maybe they don't. But i have a lot more fun making them, and not having my world view coloured by such views. As soon as you hear people making very similar statements about Japan to ones you've heard before, it's generally not their own viewpoint on Japan, but something that they have heard, and then confirmed for themselves afterwards in that way.
Let's take another few of the narratives that i can remember from that program as it's maybe easier to understand as an example. There was one girl who said that Japanese people can't critically asess art. Is it true? Maybe it is in general. Actually, i think the percentage of the population of Britain that can critically assess art in Britain is extremely small. But despite the fact that there is probably very little difference between Japan and Britain in this respect (and in fact, i know plenty of highly educated Japanese people who are better at critically assessing art than i am), because it plays into various other already set narratives about "Japanese people", it's somewhat "common knowledge".
Same goes for the civil disobediance stuff, and various other things. A lot of the time it isn't harmful, only a bit shallow and boring. But it can be harmful too (e.g. when it induces the kind of fear reaction seen in this thread). Do you see what i mean?
Edited: 2012-08-10, 3:30 am