I'm in the 'state of mind' stretch in the 600's and after having a hard time coming up with memorable images, I realized it's not just because 'state of mind' is an abstract concept... but the keywords it's paired with are ALSO abstract ideas: disconcerted, accustomed, remorse, busy... two abstract ideas paired together makes concrete images a pain.
I wish I knew earlier about the idea to use Data (from Star Trek) for state of mind... too late for me, I used him for 'correct', since he tends to always say "That is correct." I used a different person for State of Mind, but the keywords it's paired with are proving to be a pain.
My usual tactics when I come to these kinds of keywords are:
1. Use a memorable song lyric that includes that word, and just use the singer for it in the story.
2. Use a memorable quote or saying that includes the word and incorporate an exaggerated, concrete version of that quote in the story.
3. Use another sense of that keyword that DOES have a concrete image, or focus on parts of the keyword that can form a concrete image. This is a last resort, because I think it's best to keep the intended sense of the keyword intact.
So, for example, on 'disconcerted', I imagined my 'state of mind' guy being denied entrance into a concert (he was dis-concert-ed, lol), and in retaliation, laid waste to the whole venue. I tried to incorporate the original sense by adding that he gets a disconcerted look on his face when they won't let him in. Not perfect, but did the trick.
For 'concept', focused on the CON part (as Heisig hints at), I imagined a CON-man who connects a Firewire cable from his heart to different artist's and scientist's hearts (an INTER-connection) to steal the concepts in their hearts.
Some of these State of Mind ones are real buggers though... what have you guys found to work for you?
I wish I knew earlier about the idea to use Data (from Star Trek) for state of mind... too late for me, I used him for 'correct', since he tends to always say "That is correct." I used a different person for State of Mind, but the keywords it's paired with are proving to be a pain.
My usual tactics when I come to these kinds of keywords are:
1. Use a memorable song lyric that includes that word, and just use the singer for it in the story.
2. Use a memorable quote or saying that includes the word and incorporate an exaggerated, concrete version of that quote in the story.
3. Use another sense of that keyword that DOES have a concrete image, or focus on parts of the keyword that can form a concrete image. This is a last resort, because I think it's best to keep the intended sense of the keyword intact.
So, for example, on 'disconcerted', I imagined my 'state of mind' guy being denied entrance into a concert (he was dis-concert-ed, lol), and in retaliation, laid waste to the whole venue. I tried to incorporate the original sense by adding that he gets a disconcerted look on his face when they won't let him in. Not perfect, but did the trick.
For 'concept', focused on the CON part (as Heisig hints at), I imagined a CON-man who connects a Firewire cable from his heart to different artist's and scientist's hearts (an INTER-connection) to steal the concepts in their hearts.
Some of these State of Mind ones are real buggers though... what have you guys found to work for you?
