Delurking to say that I love 森見登美彦 but he is absolutely not for everyone. Most of his stories are magical realism, focusing around the day-to-day lives of not-particularly-conscientious Kyoto college students and incorporating a lot of Japanese folklore, and don't have so much in the way of linear plot. He also uses the most obscure vocabulary (and non-jouyou kanji without furigana) that I've ever seen in a modern novel. If you want to expand your vocabulary, this would be an excellent place to look; if you get frustrated by lots of unfamiliar words or by not understanding what's happening immediately, you will probably hate him. For reference, I read 太陽の塔 post-N2 but pre-N1 and followed it enough to enjoy it, but I also have a high tolerance for unknown words.
I'd recommend starting with きつねのはなし, which is a collection of short stories with a bit more plot and a bit less ridiculous vocab than he generally uses. If you can't get through that, you will probably not enjoy his other books. If you do like it, 夜は短し歩けよ乙女 is my favorite, and I think it's really representative of his usual style. I would read 太陽の塔 only after that.
howtwosavealif3 Wrote:i have no idea what the f is going on ie who the main character is or if the narrator is changing every chapter.
This should become clearer if you do keep going! It all ties together in the end... mostly. There are two narrators/main characters, the girl from the title and her male classmate.
I'm just starting the second half of 悪人 by 吉田修一: decent, and I like the way the story develops via a wide range of characters connected to the murder, but I think I prefer his short stories. My 読書メーター is over here, feel free to friend me if anyone's interested:
http://book.akahoshitakuya.com/u/159401