I guess I'd like to know first what the Japanese actually do in different situations. But then I'd like to know how to go about drawing nice looking kanji, besides using flat lines. For example, I just bought a handful of cheap Zebra super-fine point brush pens:
http://www.jetpens.com/index.php/cPath/221_501
but I'm not really sure if there's an angle I'm supposed to hold them at, when to push down and when to let up, and how to make the different shapes of lines.
I have this site in my tool bar all the time and it's pretty useful for both stroke order and for what it should look like.
http://www.yamasa.cc/members/ocjs/kanjid...3?OpenForm
On there, there is the one in the middle which I'm assuming I should be immitating. Or should I go with the cursive pic on the right?
I found a couple of videos of people doing large scale calligraphy. I think the main stroke I have a problem with is when it's one that goes diagonally down and to the right and ends with a kind of fat sweeping tail (like at the bottom of Summer.) I just tried it with a Elmers "paintastics" brush and I was able to do it easily. Hmm. Maybe that's just not something you're supposed to do with a superfine brush pen. I'm currently using graph paper that is 4 squares to the inch so I'm drawing inside a 1/2" x 1/2" square.
What do the Japanese do for normal writing?
edit: now that I've messed around a little more, I think these pens might be designed more for a 1/4" x 1/4" type characters, because the pressures involved at that scale seem to allow me to make the strokes, if I keep them really really thin. And hiragana at that scale with this pen looks really really nice.
edit2: with the paintastics brush, on a 3/4" 3/4" square, when you stop at the end of a horizontal line and go back a touch with the bruch it automatically makes those little peaks you see above the end of the line like in the mincho font. heh. cool.
http://www.jetpens.com/index.php/cPath/221_501
but I'm not really sure if there's an angle I'm supposed to hold them at, when to push down and when to let up, and how to make the different shapes of lines.
I have this site in my tool bar all the time and it's pretty useful for both stroke order and for what it should look like.
http://www.yamasa.cc/members/ocjs/kanjid...3?OpenForm
On there, there is the one in the middle which I'm assuming I should be immitating. Or should I go with the cursive pic on the right?
I found a couple of videos of people doing large scale calligraphy. I think the main stroke I have a problem with is when it's one that goes diagonally down and to the right and ends with a kind of fat sweeping tail (like at the bottom of Summer.) I just tried it with a Elmers "paintastics" brush and I was able to do it easily. Hmm. Maybe that's just not something you're supposed to do with a superfine brush pen. I'm currently using graph paper that is 4 squares to the inch so I'm drawing inside a 1/2" x 1/2" square.
What do the Japanese do for normal writing?
edit: now that I've messed around a little more, I think these pens might be designed more for a 1/4" x 1/4" type characters, because the pressures involved at that scale seem to allow me to make the strokes, if I keep them really really thin. And hiragana at that scale with this pen looks really really nice.
edit2: with the paintastics brush, on a 3/4" 3/4" square, when you stop at the end of a horizontal line and go back a touch with the bruch it automatically makes those little peaks you see above the end of the line like in the mincho font. heh. cool.
Edited: 2009-05-22, 5:59 pm


