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Well I think the greatest tool in RTK method isn't the stories but rather the approach, dividing remembering kanji and its reading, order in which they appear, SRS and finally mnemonics.
It shouldn't be a problem if its a story, two/three words describing primitives that make the kanji or a picture/sound in my mind.
It's all rote memorization anyway, you see a keyword associate it with a story which brings up kanji. I just do keyword -> whatever works for me -> kanji...
Either way its cramming kanji into your brain, you're either fine with it or not. We are just being smart about it and thats it.
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thurd, we've all been down that path. it's a common failure to make your stories/mnemonics too simple. usually people who do this fail somewhere between frames 300 and 700 (for me it was about frame 450). for you it might be a little longer because at 100/day it will take longer for the kanji to come up again in reviews.
the reason is because simple stories are easier to confuse. you dont notice this when there's only a few dozen or a few hundred kanji. but as you get close to a 1000 kanji you'll notice your fail rate grow incredibly fast.
thurd, we've been down that road before and there's a reason we recommend against it. but you are free to find out on your own, if you so desire.
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I think people are being too harsh on thurd. It'd be good for him to do it just as an experiment. Heisig made 2 changes to the process with his book. There's the divide and conquer method for kanji that we all know and love, but then he's also an advocate of SRS. So at a certain level, it's unclear why Heisig is working so well. I think that there definitely could be benefits to the speed of it if you didn't have to make a story for every single kanji.
I'm one of the oddballs like thurd. I don't make a story for every kanji. I only make a story if I notice I'm failing the same card over and over again. So far, I've really only had to make like 5 stories, and I'm up near 900 kanji. My typical correct percentage in reviews is 80%. That's probably lower than a lot of you, but I spend very little time on Heisig every day.
Sure it might take me just a little longer to go through the book, but it's not like I'm moving at a snail's pace. I'm mostly on track to finish in the next 5 weeks, and I've only been at it for around 4 weeks so far.
Now, the thing that makes me a really bad example to use for this method is that this is my 4th attempt at Heisig, and I already know about 1500 kanji outside of Heisig. So I'm already familiar with a lot of the characters. There's also the fact that I'm a much more visual learner. Stories didn't work well for me when I first started Heisig. What did work was using my imagination to create an image for the kanji in my head, and I can usually create that image in a few seconds rather than taking the time to verbalize it by writing it down. I find the mental imagery method to stick a lot better for me, and so that kind of already puts me as an outlier as users of Heisig go.
I think we should see how things go for thurd, and if what you all say is true then he should be coming back in about a week with his tail between his legs. I mean he is doing 100 a day, and a lot of you are saying things are going to explode at around 1000 kanji.
Edited: 2009-07-06, 10:26 am
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Just a sec.
Do you create stories or vivid images? Or both? I think I remember the stories better, rather than the images, even though thei're supposed to be the same. I see a keyword and I remember the sentence I made with it.
I usually make a sentence and a vivid image.
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Sounds and images work better as mnemonics than stories.
Stories take longer to recall, images are instantaneous.
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erlog, what you describe is exactly Heisig's stories. A story is not "a chain of words that lead you to the primitives". In fact, Heisig explicitly mentions in the book that if your doing it that way your doing it wrong (see the opening paragraphs of lesson 11).
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Like Mafried is saying, stories, when it comes to Heisig, shouldn't be thought of as word-chains. Stories in this case is much broader, it's about connecting primitives together in a meaningful way and connecting it to a keyword. While it's good to write it down (so it can be remembered if forgotten), that isn't the goal, or even A goal. What's important to tie as much as possible into it. Sometimes, it's enough to make a short rhyme and sometimes it's enough to simply imagine the primitives together, other times you want it all.. a short story which is a play on words together with a vivid image together with a a feeling, maybe even a sense of smell. The more the merrier, if a kanji is hard enough to remember.
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Yeah, not saying one should stop doing it, just saying that if you want to start mining sentences, listening to Japanese and such things, one can do it at the same time. It takes time away from RtK, but one shouldn't let RtK be some form of stopping block.