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I'm 1332 into it, and I have been for a few days. I just can't get myself to do any more lessons. Recently, with the semester winding down, things just keep on building up, and I rarely get days when I can study any kanji.
I generally like to do a lesson, or at least half of a lesson, each time I study. At the very least, I'll go until a new primitive is introduced.
But I just can't get myself to stick to schedule. I was going to do a lesson a day and finish it up -- but recently, I haven't even done any lessons at all!
It seems my main excuse is that I know that school will be ending soon, and I'll go home for a week before coming back here and working. During my week-long spring break I did about 500 kanji with really good retention rates, and I keep telling myself that during that break I can do something similar -- but I keep slipping in my studies for now.
I'm going abroad come September, and I want to finish RTK and have an ample amount of readings learned (through context) before I go.
I don't know what I'm expecting from this thread -- this was just more of a "I suck lately" post than anything.
Learning them isn't hard for me, it's getting back into the routine of doing a lesson a day (while still keeping up on homework).
Joined: Apr 2009
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Hi guys!
I'm one and a half week into it, and currently on frame 137!
My plan is to do 15 a day, until I get a week off in July/August (should have around 1400 by then, if I stick to schedule!), and finish off in a super-über marathon doing 90 or so each day, woho!
It's going well, but it's getting harder! But I'll just keep going! =)
The way I motivate myself is that if I finish RTK by early/mid August, I should be able to dig into real Japanese, sentences and such, when I start my music studies! This way I can read Japanese (of course with 100% use of blood, sweat and a dictionary, hehe) in between breaks in practise sessions etc.
Hopefully I can pull it off!
Keep going guys! I couldn't have done it without this site, seriously... I use RtK stories for 99% of all my stories, they're really, really good! =) I just add some spice in between, if they're a bit, well, neutral? If that makes any sense?
Edited: 2009-05-02, 6:00 am
Joined: May 2009
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hi I'm new here. i got some genuine interest in trying to Learn Japanese. Right now I've manage to remember the hiragana+ katakana in 1 week and i'm now trying to remember the 2042 kanji. so far i've manage to do 50 in 2 days. i find myself to manage it quite well so maybe i'll try to do 50 per day
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I've been slacking off with my kanji reviews, finals, activities and other things have been getting in the way. I slacked off so long, my review pile grew to 400. I got so intimidated, that I avoided it until it hit 639! I got through all those reviews in a day painlessly.
What I did was, each time I went on my computer... to check email, to go on a forum, watch an anime, AIM,... I wouldn't let myself do it until I passed 20 or 40 cards. (If I don't count failed cards, then I spend more time reviewing rather than just zooming through to get to my activity.)
Edited: 2009-05-03, 12:29 pm
Joined: Apr 2009
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The first few lessons introduce tons of new primitives so they're arguably the most difficult. Ignore Heisig's advice re: not writing anything out. Typically I'll write out each new primitive 10-15 times and each new kanji 2-5 times. And write down the stories as well, preferably while imagining them. Some people like to replace Heisig's frequently useless primitive names with their own, usually inspired by memorable popular culture icons (e.g. thread = Spiderman, person = Mr.T, stand up = Mitch Hedberg, casanova = George Clooney). Use puns, wordplay, song lyrics, movie references and anything else you can think of to make your stories more memorable. You can also abuse the nuances of keywords, e.g. hold is made up of finger and temple, but I think of Texas Hold'em instead. I can therefore imagine a scenario at a poker table, which is far more vivid that the word "hold" on its own.
Joined: Apr 2009
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I like writing them out several times to see how nicely I can make them look and to see how much continuity there is between them. Primitives like turkey, heart and mama are difficult to write consistently so I enjoy practising them and getting better each time. I also tend to forget primitives pretty easily so the repetition helps in that regard. May I ask why you did RTK out of order?
Joined: Jun 2006
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For me good handwriting came when I started sentences (I'm a fan of dictation). In hindsight I had no good reason for doing RTK out of order, and although I did it it's not something I recommend to people now. I was impatient to start sentences, so I learned just the primitives (about 500 total) and added new kanji as I encountered them. It ended up being very inefficient however, and is most certainly a path I do not recommend.
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By dictation do you mean questions in kana w/ audio and answers in kanji? If so, that's what I plan to do once I finish RTK.
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In my case the question side is audio-only, but yes that is what I mean.
Joined: May 2009
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I'm a bit confused - Heisig says he's trying to avoid using "visual memory", but then he says you need to get a good "image" for each kanji, involving the primitives. But an "image" is a visual thing! I'm really confused - should I be linking the primitives in the kanji to its keyword by creating some sort of visual image?
Joined: May 2009
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Ah I kind of understand a bit better. An image can be part of the "story", but it is not about trying to remember the placement of the kanji strokes in isolation. I think I'll just start again, writing out all the "stories" and making sure to actually replay them a few times to really let them sink in.
Joined: Jan 2009
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I'm still working on my kanji, I'm at frame 1530 right now. Often times I will get bored or frustrated and completely stop. Sometimes I'll even stop reviewing for a couple days, and I'll have to relearn all the ones I forgot.
My advice for people like me is to try to read. I know quite a few kanji, but I still don't know 1/4 of them. I get motivation to keep going when I realize that there are still a lot of kanji I don't recognize, and there is still work to be done if I ever want to read efficently.