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Sorry if this has been discussed before..
Having had great success with Heisig's Remembering the Kana (which use keywords to remember syllable prounciations), I'm now about to start the Kanji but wondering why I can't take the same approach and learn the pronounciation at the same time?
For example, adding another element to your story that inlcludes the prounouciations as well as the keyword meaning. Surely this would save the time involved by combining RtK2 with RtK1 and would allow you to actually start reading kanji you've learnt in sentences and the real world.
I know Heisig addresses this in the foreword and it's complicated by multiple readings, but couldn't the readings still be added to stories?
Maybe I will be blasted for being naive but would appreciate any thoughts...
Cheers.
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Also, if you carefully go through all the stories on this site, you will find some people actually did this. I know it takes time to read everything for every kanji, but if you're interested, you'll be thorough.
Anyway, including readings in the stories is more complicated than it seems, and I'd bet sometimes it might even be impossible. That's why so many people learn the kanjis first, then the readings (in the most common compound for example), which you can then put (the compound) into your story. But by then, the stories start to fade, and the point of the method was to separate the various sectors of the kanjis, so I don't know. I know it wouldn't work for me (my mind quickly gets saturated).
Edited: 2010-09-09, 6:31 am
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I and others have had some success with this and I think it's worth trying even if you abandon it later. Most common kanji have more than 1 reading (sometimes as many as 10 or so). I would advise only learning 1 common on-yomi reading for each character. The on-yomi reading is the chinese derived reading of a character and is used mostly in compound words. These readings are mostly monosyllabic so it's easy to make mnemonics for them. So as you learn new kanji, look up the on-yomi (usually written in Uppercase or Katakana in dictionaries) and make up sound primitives for each new on-yomi reading and incorporate them into your stories. An example would be 缶 which has the on-yomi KAN. I used the sound primitive Ghengis KHAN (mongol warlord) to represent the sound KAN and used him in my stories for any character read KAN.
Edited: 2010-09-09, 7:01 am
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the method I suggested though isn't a grueling forced memorization task anymore than doing RTK the normal way is. It's just a way of getting one reading for free (which is better than nothing) while doing RTK. It also has the added benefit of teaching you how most kanji use a phonetic and meaning element which is really useful for reading, guessing word, dictionary use etc.
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Perhaps this is in one of your spreadsheet's Katsuo, or is cataloged somewhere else, but how many Kanji characters have only one on reading, or one on and one kun reading? Pardon my ignorance on the matter, it's just every now and then while reviewing I hover over the kanji with rikaichan to check the frequency and other definitions and notice there is only one reading.
I'm doing a pretty good job learning the readings via in-context practice (Core6K+ other stuff) and that's relatively painless, but now and then I ask myself the question: If I were to brute-force memorize all the readings, what would be the most efficient method? I'm certain this has been discussed ad nauseam, but it seems like the single-reading characters would be the low-hanging fruit (weighted by their frequency).
K.
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If learning readings, I'd suggest using the Joyo list rather than Rikaichan. The Joyo kanji list is restricted to relatively common kanji and readings. Rikaichan uses KANJIDIC which includes many rare readings.
As I mentioned in my post above, the Joyo list also marks some of its readings as relatively rare, and those could be omitted as well.
Something like 1,800 of the new 2,136 joyo kanji have only one on-yomi listed. "Brute-forcing" sounds like hard work. For low-hanging fruit look at some of the "pure groups" in RTK2. For example 且 on the right side (組粗租祖阻狙) gives on-yomi ソ.