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Anyone got any tips on how to get better at drawing? I used to draw a lot, but stopped a few years ago. Now I suck =(
I wanted to use anki... somehow. Maybe I use an SRS too much =)
When we learn a language, we are always copying. I'm thinking you could take the same approach when learning to draw. If I find a drawing I like (e.g in a manga I'm reading, etc) then I can try and copy it. If I properly construct it (going from a rough skeleton filling out the details) then surely I will get better. seems it's a bit like collecting and understanding sentences, but only with drawing.
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If you would like to be able to draw, that's nice...
I think what probably matters the most is that you have something you want to draw or some other kind of lasting motive for wanting to draw. In the end, no matter what you go after, be it drawing from observation or drawing for other technical reasons (like manga, architecture etc) what'll matter the most is the mileage on your hands.
Basically, find something you like about drawing and do it. Repetition and tracing is fine as long as it doesn't become the primary objective of your drawing activity.
Edited: 2009-11-23, 12:11 pm
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I've been reading up on the experiments with spaced learning over the years, had no idea that they've shown results superior to 'massed' learning on motor/psychomotor skills, and even in HS physics (ie students learning and applying new material to physics problems). I need to read more on that, though. There's also some possibility with trying to tie this together with visual working memory, et cetera. I have no idea how to go about doing this, though. In fact, my inner 'drawer' has never been fond of structure; sometimes, after a little practice with drawing simple geometric shapes or doodling, I find I've an impulse to draw something complex that generally turns out excellent, or I just lose interest--any attempt to force myself to draw results in my homunculus-artist folding their arms and turning away. hehe
Edited: 2009-11-23, 1:09 pm
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if you want to learn how to draw, you're going nowhere.
if you want to draw, then do it. do it every day, bring a sketch pad and a pencil with you everywhere, draw everything you see. look at other people's drawings, show your drawings to other people. do that, and skill will follow.
once you can draw, you can go look for new techniques, a deeper understanding of anatomy, etc. but before that, it would be a waste of time, imho.
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A drawer is where you keep socks and underwear.
A draftsman is whom you go to for a drawing.
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Heck, recreate what we do with Japanese.
Trace a picture, Draw same picture by looking at it, Draw same picture from memory.
Keep it small and simple, just variations of things ie Dog from above, dog from side, dog with mouth open, car with door open, car with hood up, car from front, etc. As you get better and faster, go with combination of images.
Kind of like any other artistic talent, just do it a lot. If it's a matter of figuring out what to draw next, hell, use the Core 2000 photos. Just don't worry about marking them wrong. You want bulk, not perfection. Perfection will follow in time.
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Draw a lot. Everyday. Don't bother with the SRS, it's made for a completely different skill.
As for what to draw, draw from life or pictures for the most part. If you draw a variety of things(as opposed to specializing on people or animals or cars...), you'll be increasing the mechanical skills, but not so much your ability to draw something well from memory.
What do you want to draw, anyway?
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Draw all day everyday. Become obsessive about it. Go insane. Voila!
No anki necessary.
Edit: Wait. You could probably use anki to drill yourself on the name of anatomy parts. Or have anki give you a name and you have to draw the picture.
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Copy. Copy pictures, copy other drawings. Mantain a diary of what you are doing and you'll do fine.
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nestor brings up a good point about spacing. Perhaps the "draw all the time" approach could be over kill, I really don't know. It does work. As for spacing... maybe - draw A LOT, but take breaks too. I go in phases, and even take LONG breaks (even years - well very little drawing during these times, not zero, focus on a new skill from the ground up -ie japanese) that seem to refresh my inner "artist" - I go back to it and find I am just a little better, because I'm refreshed and have changed as a person. Now I find I want to rev up my drawing skills, and am going to start formal training (Dave Mack's "Kabuki" inspired me - the man can draw any style!).
But spacing is intuitive for this kind of thing I think. If you're just starting to develop it, charge in there and draw a TON!
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Drawing is just like writing a story, it's all about how you want to express yourself, what is the best word to convey such and such a meaning.
Likewise with drawing it's all about which stroke you feel best represents what you want to draw. Some artists use completely unconventional stroke styles but when it all fits together, you see a brilliant piece of art. E.g say you use some tiny ugly shaped rectangle to represent a leaf, you maintain using this because this is how you perceive what a leaf to be. Keep at it and at the end you'll get a really unique (literally unique) piece of art that represents you.
If none of the above makes sense, just think of it as a way of transforming the real world onto paper
I.e to a mathematician, leaves are just a thing with length x, width y, curvature followed by function f(x) from this boudnary to that boundary, and its reverse function -f(x) for the other side of the leaf, trees are like permutation trees that randomly branch off in a unique manner etc
To an artist, a leaf can be an oblong shaped rectangle with a quick swift stroke in the middle to show the central nerve, or it can be a smudge of a blunt pencil, it can be whatever you want it to be, just keep experimenting to see what you think is best, it doesn't have to look * exactly* like the leaf, but it has to convey the feeling of it being a leaf when you look at it so to speak. I know there are some artists that can literally do that, I don't study art so I don't know what you call them.
But it's all about how you feel something looks like and how much you can convey that feeling.
If you keep working at expressing what you truly see, after a while you'll develop your own unique style, I'm always at a love hate relationship with my style. I hate it because it's so shit, but when I apply it to tiny flowers, and stuff I like to draw, they don't turn out all that bad. Then again I don't draw all that much, I have more fun making models, but I don't really make models either.
Oh and for sake of not committing suicide, I'll pretend I didn't see "SRS" at all in this thread.
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First he does have to draw all the time to become good. I have to practice Japanese all the time to be good.
However, just like he's not drawing the same picture over and over, I'm not reading the same word or sentence over and over. The SRS allows consistency and variety without thinking too much about it. So, use that aspect in drawing in various ways. SRS introduces variety of pictures, you draw it, press 'easy' and go on to the next picture. That picture will pop up again in a few days, but you don't care till that happens.
It's in this case, the R in SRS stands for repetition and not remembrance. Go for amount, and not perfection, hence the reason I say go for simple pictures that can be drawn fast. Based on various articles that were linked on these forums, AJATT and CrossFit, the fact that you're drawing a lot (say, 1 picture every 5 minutes, 10 pictures a day for 30 days) will trump going for perfection (draw 1 picture perfectly an hour a day for 30 days). What results can show is the guy mass producing quickly drawn pictures at the end just produces better products.
Again, I'm not an artist, I'm just pulling this off articles. But it makes sense. If you worry about what to draw you waste time, if you don't set a time limit per picture you waste time, if you go for perfection you waste time.